[Kyrie nods again, glad that she can get straight to the crux of the matter without explanation.]
So then you'll understand when I tell you that Nero is the only person in this whole world who shares my past with me. He's the only person left who remembers my parents, remembers my brother, and all the happy times we had before- before those times were gone.
[She looks searchingly at him, earnest in her hope that her words are resonating with him.]
If I had lost him... I would have lost my family all over again. I would have lost my present. Every dream I have for the future, a home, babies, grandchildren some day, those would have gone too. And maybe I would have gone on, I would have held it together somehow for the sake of the boys, but I wouldn't really have been living. Because how can you live without your heart?
[Her voice becomes stronger, the tremor non-existent. This is getting easier as she goes on and she's not sure how this will end.]
Your son... is the most incredible, kind, thoughtful, brave, compassionate man I have ever had the privilege to know. He amazes me every day with his strength, his capacity to do good, his willingness to endanger himself just to protect others. Every day I get to wake up beside him I thank whatever higher power there might be out there that I get to love him and have him in my life and that Nero, for some reason, loves me back. And I love that after all this time, you've found each other and he gets to be loved by his own family, the way he has always deserved to be! I really, truly cannot begin to tell you how grateful I am that he means as much to you as does, nothing could make me happier than knowing that your son is loved by his father.
[But it's here that she pauses, and takes a deep breath to steel herself for the question she knows she has to ask.]
But when you attacked Nero, the love of my life, he was just a stranger to you, an obstacle standing in the way of your survival. I know you are sorry for that. What I want to know is... would you still be sorry for what you did if Nero wasn't your son?
[Vergil draws a breath to speak, and gets so far as parting his lips, but in the end, he hesitates. He knows the truth, but he cannot pretend it is anything other than something she is bound to find unacceptable if not outright reprehensible.]
Were he not my kin... [he begins, slowly.] I can only speculate. What harms I've done to others has never been any more my intention than it was my intention specifically to harm Nero. [Vergil knows that does not make it better or somehow more acceptable, and does not state it as though making a case for it. It's a simple explanation of consequence versus intention.] In the past, I've always seen as a natural consequence. Those strong enough to protect themselves and what's theirs survive. Those too weak to protect themselves or anything else simply die or bear their losses.
I... [He purses his lips briefly.] A lot has changed since then. But I would not claim that I feel guilt or shame over my previous wrongs to faceless strangers as acutely as I feel for what I've done to Nero.
[Even if he wanted to dwell that much on any of them, Vergil is certain he couldn't when he has to set aside the guilt he feels for Nero, only allowing it at times, so that he can continue to step forward with him. It would paralyze him at best, kill him at worst.]
So, were he just a stranger... [Vergil inhales deeply albeit a little shakily through his nose and lets out a soft exhale.] I doubt I would have spared much thought to him.
[Whether she finds it reprehensible or not, there it is. The truth.]
[The words hit her like a thud, so much so that she could swear she actually heard them hit. (Little does she know on the other side of the bedroom door, Nero's skull has connected with the door in dismay.) In truth, she suspected this would be the answer, had braced for it, but it doesn't hurt to hear it any less.
If Nero had been anyone else's child, he'd have just been another victim of a person who could callously strike down another in cold blood and move on without thinking anything of it, or the damage following in the wake of such action. Tossed aside and never thought of again.
Kyrie sets her jaw, her lips thinning in a visible display of discomfort.
It hurts to know that at the time, maiming Nero had been nothing more than collateral to him, and she does genuinely feel that the knowledge of that pains this enigma of a man standing in front of her. It still doesn't bring her as much comfort as she'd hoped.]
Then my next question is this: you just said 'in the past.'
[It was a sliver of something, something that she's not about to let slide. She hopes her intuition is about to steer her wrong.]
Are you trying to say that you would act differently now?
[It's the most emotion Kyrie has shown since the beginning of this... Well, Vergil somewhat hesitates to call it a discussion. They are taking their turns in speaking, questions followed by answers. But until that bit of emotion makes its way into Kyrie's expression, it hasn't felt much like Kyrie was communicating in return. Yes, she indicated she accepts what he has to say and that she trusts Nero and Vergil's profession that their relationship has been a good thing to be true, but... It's given little insight into what she's thinking and feeling about any of it. But that barest change in her expression puts a put in his stomach, sends his heart rocketing down low.]
[Vergil purses his lips as she picks at his words. No matter how even she speaks, how gentle her voice, it begins to feel more an interrogation. Especially as he does not know how to explain any of this to this...stranger when he can barely speak of it to those he holds close, if he can even manage to speak of it at all in the first place. There's a harder to look to Vergil's eyes as he looks at Kyrie, studies her. It's not the freezing glare of his temper arising, ready to lash out in anger. But it's a blatant defensive wariness. Whatever assumptions Kyrie may have held about Vergil's reserved temperament, his difficulties with emotional vulnerability most likely come to prove themselves in the way he regards her. Vergil's fingers curl against his pantlegs tightly, the fabric serving as a buffer to keep blunt nails from digging into his palms.]
[He draws a steadying breath, releasing the tension in his hands, but not the furrow in his brow.]
I am saying that I lived as a devil before. Now, I am trying to live as a man.
[The steel in Vergil's gaze makes Kyrie instinctively want to shrink beneath its scrutiny and start to backpedal furiously. This kind of conversation makes her feel so incredibly uncomfortable, but she's not about to back down. She's not a fighter, but she has to fight for this. She has to get her answers if she's going to make an informed decision.
It takes every ounce of resolve not to flinch when the very slight motion of Vergil curling his fists into his pants catches her eye. She's upset him and the adrenaline pulses through her veins; does he have a temper? Does it spark and catch flame the way Nero's does? Does she want to imagine what it would be like to make Vergil truly angry?
No. Not even a little.
But then his answer comes on the tail of a deep breath and a furrowed brow and she finds herself surprised by the simplicity of the answer. So few words, so much said.
no subject
So then you'll understand when I tell you that Nero is the only person in this whole world who shares my past with me. He's the only person left who remembers my parents, remembers my brother, and all the happy times we had before- before those times were gone.
[She looks searchingly at him, earnest in her hope that her words are resonating with him.]
If I had lost him... I would have lost my family all over again. I would have lost my present. Every dream I have for the future, a home, babies, grandchildren some day, those would have gone too. And maybe I would have gone on, I would have held it together somehow for the sake of the boys, but I wouldn't really have been living. Because how can you live without your heart?
[Her voice becomes stronger, the tremor non-existent. This is getting easier as she goes on and she's not sure how this will end.]
Your son... is the most incredible, kind, thoughtful, brave, compassionate man I have ever had the privilege to know. He amazes me every day with his strength, his capacity to do good, his willingness to endanger himself just to protect others. Every day I get to wake up beside him I thank whatever higher power there might be out there that I get to love him and have him in my life and that Nero, for some reason, loves me back. And I love that after all this time, you've found each other and he gets to be loved by his own family, the way he has always deserved to be! I really, truly cannot begin to tell you how grateful I am that he means as much to you as does, nothing could make me happier than knowing that your son is loved by his father.
[But it's here that she pauses, and takes a deep breath to steel herself for the question she knows she has to ask.]
But when you attacked Nero, the love of my life, he was just a stranger to you, an obstacle standing in the way of your survival. I know you are sorry for that. What I want to know is... would you still be sorry for what you did if Nero wasn't your son?
no subject
Were he not my kin... [he begins, slowly.] I can only speculate. What harms I've done to others has never been any more my intention than it was my intention specifically to harm Nero. [Vergil knows that does not make it better or somehow more acceptable, and does not state it as though making a case for it. It's a simple explanation of consequence versus intention.] In the past, I've always seen as a natural consequence. Those strong enough to protect themselves and what's theirs survive. Those too weak to protect themselves or anything else simply die or bear their losses.
I... [He purses his lips briefly.] A lot has changed since then. But I would not claim that I feel guilt or shame over my previous wrongs to faceless strangers as acutely as I feel for what I've done to Nero.
[Even if he wanted to dwell that much on any of them, Vergil is certain he couldn't when he has to set aside the guilt he feels for Nero, only allowing it at times, so that he can continue to step forward with him. It would paralyze him at best, kill him at worst.]
So, were he just a stranger... [Vergil inhales deeply albeit a little shakily through his nose and lets out a soft exhale.] I doubt I would have spared much thought to him.
[Whether she finds it reprehensible or not, there it is. The truth.]
no subject
If Nero had been anyone else's child, he'd have just been another victim of a person who could callously strike down another in cold blood and move on without thinking anything of it, or the damage following in the wake of such action. Tossed aside and never thought of again.
Kyrie sets her jaw, her lips thinning in a visible display of discomfort.
It hurts to know that at the time, maiming Nero had been nothing more than collateral to him, and she does genuinely feel that the knowledge of that pains this enigma of a man standing in front of her. It still doesn't bring her as much comfort as she'd hoped.]
Then my next question is this: you just said 'in the past.'
[It was a sliver of something, something that she's not about to let slide. She hopes her intuition is about to steer her wrong.]
Are you trying to say that you would act differently now?
no subject
[Vergil purses his lips as she picks at his words. No matter how even she speaks, how gentle her voice, it begins to feel more an interrogation. Especially as he does not know how to explain any of this to this...stranger when he can barely speak of it to those he holds close, if he can even manage to speak of it at all in the first place. There's a harder to look to Vergil's eyes as he looks at Kyrie, studies her. It's not the freezing glare of his temper arising, ready to lash out in anger. But it's a blatant defensive wariness. Whatever assumptions Kyrie may have held about Vergil's reserved temperament, his difficulties with emotional vulnerability most likely come to prove themselves in the way he regards her. Vergil's fingers curl against his pantlegs tightly, the fabric serving as a buffer to keep blunt nails from digging into his palms.]
[He draws a steadying breath, releasing the tension in his hands, but not the furrow in his brow.]
I am saying that I lived as a devil before. Now, I am trying to live as a man.
no subject
It takes every ounce of resolve not to flinch when the very slight motion of Vergil curling his fists into his pants catches her eye. She's upset him and the adrenaline pulses through her veins; does he have a temper? Does it spark and catch flame the way Nero's does? Does she want to imagine what it would be like to make Vergil truly angry?
No. Not even a little.
But then his answer comes on the tail of a deep breath and a furrowed brow and she finds herself surprised by the simplicity of the answer. So few words, so much said.
I am trying to live as a man.]
Is it working?